All you need to understand about High-key photography is in fact locked up in the name. It does mean that the image’s key tone is increased. Alright, that’s all.

let’s unpick that in more detail. Key tones are usually the mid-tones, so by placing them high, meaning high on the exposure scale, we are making them lighter/brighter. This has two crucial side-effects. If mid-tones are bright, then the high-tones - those which are usually nearly white - will be even whiter. Well, tones can’t be whiter than white in digital photography (though they can in video) so these super-white tones are clipped down to keep them to white. At the other extreme, areas that normally register with dark tones are dragged up the brightness scale so that they become much brighter. The key to high-key photography is actually in the control of these dark tones: essentially we don’t want them.

Not only over-exposure
Now, you may start to suspect that high key images are not just about over-exposure, and you’d be right.

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Everything you want to learn about High-key photography is in fact already in the name. It means that the image’s key tone is increased. Right, that’s all.

let’s unpick that in more specifics. Key tones are usually the mid-tones, so by moving them high, meaning high on the exposure scale, we are making them lighter/brighter. This has two crucial side-effects. If mid-tones are bright, then the high-tones - those which are usually nearly white - will be even whiter. Well, tones can’t be whiter than white in digital photography (though they can in video) so these super-white tones are clipped down to keep them to white. At the other extreme, areas that normally register with dark tones are dragged up the brightness scale so that they become much brighter. The key to high-key photography is actually in the control of these dark tones: essentially we don’t want them.

Not only over-exposure
Now, you may start to suspect that high key images are not just about over-exposure, and you’d be right.

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All you need to understand about High-key photography is in fact locked up in the name. It means that the image’s key tone is high. Alright, that’s it.

let’s unpick that in more detail. Key tones are normally the mid-tones, so by moving them high, meaning high on the exposure scale, we are making them lighter/brighter. This has two crucial side-effects. If mid-tones are bright, then the high-tones - those which are usually nearly white - will be even whiter. Well, tones can’t be whiter than white in digital photography (though they can in video) so these super-white tones are clipped down to keep them to white. At the other extreme, areas that normally register with dark tones are dragged up the brightness scale so that they become much brighter. The key to high-key photography is actually in the control of these dark tones: essentially we don’t want them.

Not only over-exposure
Now, you may start to suspect that high key images are not just about over-exposure, and you’d be right.

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All you want to know about High-key photography is actually locked up in the name. It means that the image’s key tone is increased. Right, that’s it.

Let me unpick that in more specifics. Key tones are usually the mid-tones, so by placing them high, meaning high on the exposure scale, we are making them lighter/brighter. This has two crucial side-effects. If mid-tones are bright, then the high-tones - those which are usually nearly white - will be even whiter. Well, tones can’t be whiter than white in digital photography (though they can in video) so these super-white tones are clipped down to keep them to white. At the other extreme, areas that normally register with dark tones are dragged up the brightness scale so that they become much brighter. The key to high-key photography is actually in the control of these dark tones: essentially we don’t want them.

Not only over-exposure
Now, you may start to suspect that high key images are not just about over-exposure, and you’d be right.

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All you need to understand about High-key photography is actually already in the name. It does mean that the photo's key tone is high. Alright, that’s it.

Let me unpick that in more detail. Key tones are usually the mid-tones, so by moving them high, meaning high on the exposure scale, we are making them lighter/brighter. This has two crucial side-effects. If mid-tones are bright, then the high-tones - those which are usually nearly white - will be even whiter. Well, tones can’t be whiter than white in digital photography (though they can in video) so these super-white tones are clipped down to keep them to white. At the other extreme, areas that normally register with dark tones are dragged up the brightness scale so that they become much brighter. The key to high-key photography is actually in the control of these dark tones: essentially we don’t want them.

Not only over-exposure
Now, you may start to suspect that high key images are not just about over-exposure, and you’d be right.

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